Questions, answered.

My European wedding photography coverage ranges from €1,900 to €9,500. Four-hour elopement coverage starts at €1,900, half-day coverage at €3,200, full-day coverage at €4,500 and multi-day all-inclusive coverage at €9,500. The final quote reflects the country, date, timeline and team required.

For a fixed summer weekend, contact me as soon as your date and country are known. Twelve months is a useful planning horizon, but shorter-notice dates can still be available. A signed contract and 30% deposit secure the date.

Yes. Every booking is confirmed with a contract covering the date, fee, hours, deliverables and delivery deadline. A 30% deposit reserves the date; the remaining payment schedule is agreed in the contract.

Travel within Europe is included in the listed packages. Any location-specific costs, unusual transport or accommodation requirements are itemised in advance, so the complete arrangement is clear before you sign.

Yes. I work in English and Russian and understand Spanish. Before the wedding I coordinate the timeline and photography requirements with the couple or planner online.

Rules vary by country, city and venue. Some private properties, heritage sites and public spaces require permission or a fee. The venue or planner normally confirms the rule, and I provide the photography details they need.

The number depends on the length and structure of the wedding. Current packages begin with 200+ edited photographs for four hours, 450+ for six hours and 600+ for full-day coverage. Quality and a coherent sequence take priority over duplicate frames.

A short preview is normally shared soon after the wedding. The complete edited online gallery is usually delivered within 14–25 days. Your exact delivery date is written into the contract.

Yes. I use professional cameras, lenses and lighting and carry backup equipment. This is a standard part of preparing for a wedding where moments cannot be repeated.

Documentary photography records real events, relationships and reactions without rebuilding them for the camera. Editorial photography brings deliberate attention to light, composition and portraits. I combine both: observation for most of the day and calm direction when a portrait benefits from it.

Yes. You do not need modelling experience. During portraits I can suggest where to stand, how to move or where the light works best. I avoid rigid poses and keep the rest of the day observational.